📖 About This Book · Starvecrow Farm · by Stanley J. Weyman
First published in 1905 by LONGMANS, GREEN, AND CO. NEW YORK LONDON AND BOMBAY
Setting: Lake District, 1819 – a period of post-war economic depression, political unrest, and radical agitation.
Key Themes: elopement and romantic idealism · class conflict · political radicalism · surveillance and authority · women's independence.
Major Characters: Henrietta (young heroine, impulsive and romantic) · Alan Stewart (her lover, radical, secretive) · Mrs. Gilson (landlady, blunt and perceptive) · Mr. Bishop (Bow Street runner, vigilant) · Bess Hinkson (milkmaid, dark and malicious).
Plot Arc: The novel follows the elopement of Henrietta and Alan Stewart, their flight through the Lake District, and the shadow of pursuit and political conspiracy that hangs over their romance.
Summary
- The chapter opens with a historical overview of the post-Waterloo period in England (1815–1819): the peace that was supposed to bring prosperity instead brought widespread unemployment, poverty, and social unrest—leading to radical agitation, secret clubs, riots, and the Peterloo Massacre of August 1819.
- Henrietta wakes on her wedding morning and opens her window to a sublime view of the Lake District mountains. She half-expects Stewart to be waiting below, but he is not there. Instead, she sees a dark-haired milkmaid, Bess Hinkson, who gives her a mocking smile.
- Mrs. Gilson calls Bess inside with her usual sharp tongue, and Henrietta overhears men outside the inn arguing about someone who has "gone Whitehaven way" or taken a boat—possibly to evade pursuit.
- Henrietta dresses, expecting Stewart to be waiting for her, but instead Mrs. Gilson's maid, "Modest Ann," summons her to speak with the landlady.
- In the breakfast room, Henrietta finds not Stewart but Mrs. Gilson and Mr. Bishop—the Bow Street runner in his red waistcoat. Bishop asks, "Where is he?"—revealing that Stewart has disappeared.
📖 Glossary of Period Terms
- Rapine
- Plunder, pillage, or violent seizure of property; robbery accompanied by force.
- Linsey
- A coarse, sturdy fabric made from a blend of wool and linen (or cotton), commonly worn by working-class women.
Analysis
- The Historical Frame: Weyman opens with a rare direct address to the reader, providing historical context for the political tensions that run beneath the romantic plot. The description of post-war distress—the fall of wheat prices, the closure of factories, the rise of radical clubs—establishes why men like Stewart might be driven to sedition and why men like Bishop are hunting them.
- The Sublime Landscape: Henrietta's view of the mountains from her window evokes the Romantic aesthetic of the sublime—nature so vast and beautiful that it overwhelms the viewer. The passage echoes Wordsworth and the Lake Poets, who found spiritual renewal in these mountains. Henrietta feels her "hurry of morning thoughts" calmed, but the sublime also carries a hint of danger and indifference to human concerns, foreshadowing the trials ahead.
- The Disappearance of Stewart: The argument Henrietta overhears among the men—about someone who has "gone Whitehaven way" or taken a boat—raises the possibility that Stewart has fled without her. The men's debate about the Isle of Man packet-boat underscores the uncertainty. Stewart's radical connections, already hinted at in Chapter I, now come to the fore: he may be a wanted man, and his elopement may be a cover for escape.
- Dramatic Irony and Suspense: Henrietta's romantic expectations—her hope that Stewart will be waiting below with flowers—are cruelly inverted. Instead, she is summoned to face Mrs. Gilson and Mr. Bishop, who together represent the forces of order and authority. The chapter ends on a note of ominous suspense: "Where is he?"—a question that Henrietta cannot answer, and that Bishop knows she cannot answer.
The massacre radicalized the working classes and shocked liberal opinion across the country. It also deepened the political divide that Weyman evokes in this chapter: the authorities saw the meeting as a threat to order; reformers saw it as an act of state terror. The event is central to the novel's political subtext, explaining why Stewart is a wanted man and why Bishop is hunting him.
Whitehaven was a major port on the Cumbrian coast, with regular sailings to the Isle of Man, Dublin, and Scotland. The men's debate about whether Stewart could have "taken a boat" or caught the packet reveals that escape by sea was a real possibility—and that the authorities (represented by Bishop) are considering all routes.
Mrs. Gilson's remark—"My man, he be mad upon tod-hunting; but I never knew him go to Manchester 'Change to seek one"—is a pointed piece of dry wit. She contrasts her husband's harmless sport with the serious business of hunting political radicals. "Manchester 'Change" (the Manchester Exchange) was the commercial heart of the city, where merchants, manufacturers, and bankers gathered—exactly the kind of place where a Bow Street Runner like Mr. Bishop might track down agitators and gather intelligence.
Mr. Bishop's exchange with Mrs. Gilson—"Yet I've seen one there [a tod] in such another place." "Where?" "Common Garden, London." "It was in a box, then." "It was, ma'am. It was in a box—'safe bind, safe find,' ma'am."—is a cryptic and boastful reference to his work as a Bow Street Runner.
Mrs. Gilson immediately understands: when Bishop says he has seen a "tod" (fox) in Covent Garden, he is using the hunting metaphor for a criminal or political radical. When she retorts, "It was in a box, then," she means it was in prison or a cell—trapped, caged, caught. "Box" was slang for a prison cell or a condemned cell at Newgate. Bishop confirms it: "It was in a box—'safe bind, safe find'"—meaning the criminal was safely locked up, which is the runner's creed.
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